The forms of things unknown
The forms of things unknown

lily petals, leaves, cotton petals, beeswax, mica pigment, oil on raw canvas, 30” x 48”, 2020-2021

“…the creative process is an autonomous complex, a living independent organism implanted, that leads an independent psychic life withdrawn from the hierarchy of consciousness…”

- Herbert Read, The Forms of Things Unknown, p.53

The Internal History of Things
The Internal History of Things

“…and by crossing over each time enormous periods of the internal history of things, quasi-instantaneous views are going to be taken, views this time pictorial, of which the most vivid colors condense an infinity of repetitions and elementary changes.” -Henri Bergson

Acrylic, oil, enamel, mica pigment, straw blossoms, jhinga fruit, ball fruit, reindeer moss, peepal pods, sponge mushrooms on raw canvas, 30” x 51”, 2020

Read the logic of the metaphor
Read the logic of the metaphor

“The meaning of the figure is undecidable, and yet we must attempt to dis-figure it, to read the logic of the metaphor.” - Gayatri Spivak

Oil, acrylic, spray paint, millberry seeds, peepal pods, jackberries, Silk pigments, enamel, butterscotch flowers, reindeer moss on raw canvas

18” x 20”, 2020

Intra-Action 1
Intra-Action 1

Oil, acrylic, enamel, cotton petals, sponge mushrooms, millberries and mica pigment on raw canvas, 28” x 36”, 2020

From so simple a beginning
From so simple a beginning

“There is grandeur in this view of life, with its several powers, having been originally breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.” -Charles Darwin

Oil, acrylic, mica pigment, enamel, moss, and botanicals on canvas, , 72” x 84”, 2019

From So Simple a Beginning, Installation Mock-Up
From So Simple a Beginning, Installation Mock-Up
 From so simple a beginning , detail

From so simple a beginning, detail

The very nature of materiality is an entanglement
The very nature of materiality is an entanglement

“The very nature of materiality is an entanglement. Matter itself is always already open to, or rather entangled with, the "Other." ― Karen Barad

OIl, acrylic, enamel, peepal pods, windmill pods on raw canvas, 18” x 20”, 2020

Learning to Speak
Learning to Speak

“Learning to speak is like learning to shoot.” ― Avital Ronell

Cotton petals, sponge mushrooms, enamel & Silk pigments on canvas, 30” x 70”, 2020

Existence is not an individual affair (lost painting)
Existence is not an individual affair (lost painting)

“Individuals do not preexist their interactions; rather, individuals emerge through and as part of their entangled intra-relating.” - Karen Barad

Oil, acrylic, enamel, mica pigment, peepal pods & millberry seeds on raw cavnas, 18” x 20”, 2020

An Agential Part of the Material Becoming of the Universe
An Agential Part of the Material Becoming of the Universe

“Objectivity means being accountable for marks on bodies, that is, specific materializations in their differential mattering. We are responsible for the cuts that we help enact not because we do the choosing […] but because we are an agential part of the material becoming of the universe.” ― Karen Barad

Oil, acrylic, mica pigment, sponge mushrooms, plastic leaves, jackberries on raw canvas, 18” x 20”, 2020

A mode of potentially infinite transformations
A mode of potentially infinite transformations

Jackberries, peepal pods, plastic succulents, mica pigment, acrylic & enamel on raw canvas, 60” x 72”, 2019

a mode of potentially infinite transformations, detail
a mode of potentially infinite transformations, detail
Quantum Entanglement
Quantum Entanglement

Oil, acrylic, mica pigment powder, enamel, jackberries and bell pods on raw canvas

60” x 72”, 2019

Quantum entanglement is a label for the observed physical phenomenon that occurs when a pair or group of particles is generated, interact, or share spatial proximity in a way such that the quantum state of each particle of the pair or group cannot be described independently of the state of the others, even when the particles are separated by a large distance.

we ascend to virtuals, detail
we ascend to virtuals, detail

liquid rubber, jackberries, sponge mushrooms, oil and acrylic on canvas, 2019

Art imitates nature in it’s ways of operating (painting in process)
Art imitates nature in it’s ways of operating (painting in process)

Oil, acrylic, mica pigment, enamel, moss, ball fruit & peepal pods on primed canvas. Finished size: 60” x 72”, 2019

the still ongoing attempt to rejuvenate the full-blooded world of our sensorial experience
the still ongoing attempt to rejuvenate the full-blooded world of our sensorial experience

...in the dawning recognition of Earth as the forgotten basis of all our awareness. - David Abram

oil, acrylic, pigment, flashe, moss on raw canvas

50" x 70", 2019

entirely to drawing from the world
entirely to drawing from the world

It is as if the in painter's calling there were some urgency above all other claims on him. Strong or frail in life, but incontestably sovereign in his rumination of the world, possessed of no other "technique" that the skill his eyes and hands discover in seeing and painting, he gives himself entirely to drawing from the world [...] canvases which hardly add to the angers or hopes of humanity; and no one complains. What, then, is the secret science which he has or which he seeks? [...] What is this fundamental of painting, perhaps of all culture? - Merleau Ponty, Eye and Mind

oil, acrylic, enamel, botanicals & plastic leaves on canvas

60" x 70", 2019

The forms of things unknown
The Internal History of Things
Read the logic of the metaphor
Intra-Action 1
From so simple a beginning
From So Simple a Beginning, Installation Mock-Up
 From so simple a beginning , detail
The very nature of materiality is an entanglement
Learning to Speak
Existence is not an individual affair (lost painting)
An Agential Part of the Material Becoming of the Universe
A mode of potentially infinite transformations
a mode of potentially infinite transformations, detail
Quantum Entanglement
we ascend to virtuals, detail
Art imitates nature in it’s ways of operating (painting in process)
the still ongoing attempt to rejuvenate the full-blooded world of our sensorial experience
entirely to drawing from the world
The forms of things unknown

lily petals, leaves, cotton petals, beeswax, mica pigment, oil on raw canvas, 30” x 48”, 2020-2021

“…the creative process is an autonomous complex, a living independent organism implanted, that leads an independent psychic life withdrawn from the hierarchy of consciousness…”

- Herbert Read, The Forms of Things Unknown, p.53

The Internal History of Things

“…and by crossing over each time enormous periods of the internal history of things, quasi-instantaneous views are going to be taken, views this time pictorial, of which the most vivid colors condense an infinity of repetitions and elementary changes.” -Henri Bergson

Acrylic, oil, enamel, mica pigment, straw blossoms, jhinga fruit, ball fruit, reindeer moss, peepal pods, sponge mushrooms on raw canvas, 30” x 51”, 2020

Read the logic of the metaphor

“The meaning of the figure is undecidable, and yet we must attempt to dis-figure it, to read the logic of the metaphor.” - Gayatri Spivak

Oil, acrylic, spray paint, millberry seeds, peepal pods, jackberries, Silk pigments, enamel, butterscotch flowers, reindeer moss on raw canvas

18” x 20”, 2020

Intra-Action 1

Oil, acrylic, enamel, cotton petals, sponge mushrooms, millberries and mica pigment on raw canvas, 28” x 36”, 2020

From so simple a beginning

“There is grandeur in this view of life, with its several powers, having been originally breathed into a few forms or into one; and that, whilst this planet has gone cycling on according to the fixed law of gravity, from so simple a beginning endless forms most beautiful and most wonderful have been, and are being, evolved.” -Charles Darwin

Oil, acrylic, mica pigment, enamel, moss, and botanicals on canvas, , 72” x 84”, 2019

From So Simple a Beginning, Installation Mock-Up

From so simple a beginning, detail

The very nature of materiality is an entanglement

“The very nature of materiality is an entanglement. Matter itself is always already open to, or rather entangled with, the "Other." ― Karen Barad

OIl, acrylic, enamel, peepal pods, windmill pods on raw canvas, 18” x 20”, 2020

Learning to Speak

“Learning to speak is like learning to shoot.” ― Avital Ronell

Cotton petals, sponge mushrooms, enamel & Silk pigments on canvas, 30” x 70”, 2020

Existence is not an individual affair (lost painting)

“Individuals do not preexist their interactions; rather, individuals emerge through and as part of their entangled intra-relating.” - Karen Barad

Oil, acrylic, enamel, mica pigment, peepal pods & millberry seeds on raw cavnas, 18” x 20”, 2020

An Agential Part of the Material Becoming of the Universe

“Objectivity means being accountable for marks on bodies, that is, specific materializations in their differential mattering. We are responsible for the cuts that we help enact not because we do the choosing […] but because we are an agential part of the material becoming of the universe.” ― Karen Barad

Oil, acrylic, mica pigment, sponge mushrooms, plastic leaves, jackberries on raw canvas, 18” x 20”, 2020

A mode of potentially infinite transformations

Jackberries, peepal pods, plastic succulents, mica pigment, acrylic & enamel on raw canvas, 60” x 72”, 2019

a mode of potentially infinite transformations, detail
Quantum Entanglement

Oil, acrylic, mica pigment powder, enamel, jackberries and bell pods on raw canvas

60” x 72”, 2019

Quantum entanglement is a label for the observed physical phenomenon that occurs when a pair or group of particles is generated, interact, or share spatial proximity in a way such that the quantum state of each particle of the pair or group cannot be described independently of the state of the others, even when the particles are separated by a large distance.

we ascend to virtuals, detail

liquid rubber, jackberries, sponge mushrooms, oil and acrylic on canvas, 2019

Art imitates nature in it’s ways of operating (painting in process)

Oil, acrylic, mica pigment, enamel, moss, ball fruit & peepal pods on primed canvas. Finished size: 60” x 72”, 2019

the still ongoing attempt to rejuvenate the full-blooded world of our sensorial experience

...in the dawning recognition of Earth as the forgotten basis of all our awareness. - David Abram

oil, acrylic, pigment, flashe, moss on raw canvas

50" x 70", 2019

entirely to drawing from the world

It is as if the in painter's calling there were some urgency above all other claims on him. Strong or frail in life, but incontestably sovereign in his rumination of the world, possessed of no other "technique" that the skill his eyes and hands discover in seeing and painting, he gives himself entirely to drawing from the world [...] canvases which hardly add to the angers or hopes of humanity; and no one complains. What, then, is the secret science which he has or which he seeks? [...] What is this fundamental of painting, perhaps of all culture? - Merleau Ponty, Eye and Mind

oil, acrylic, enamel, botanicals & plastic leaves on canvas

60" x 70", 2019

show thumbnails